Cliterature
 

Melanie Graham is currently completing a final year of Ph.D. in poetry at the University of Lancaster, UK, working on a creative dissertation concerning women and violence. Her poems have most recently appeared in The Harvard Summer Review, ThSouthern Quarterly, sweet: a literary confection, Redactions, and are forthcoming in The Southeast Review and anderbo.com.  She was nominated for a Pushcart Prize in 2010 and was the finalist in So To Speak: A Feminist Journal of Language and Art's 2011 Poetry Contest.  Her poem “Blood Words” was one of ten finalists in The Southeast Review's Poetry Contest this year.


Melanie Graham

The Last Murdered Girl


They fascinate- spread-eagled in ditches and roadside fields, folded up in trunks with wedding dresses, stored for years in old refrigerators like moldy bologna.

We write about them, scream at the live versions running through woods, always falling down in those Get-up- you-dumb-bitch-he's-got-a-machete! movies.

Eternally friendly, calling Hello? Hello? to rooms of knives, maybe the clumsy and gregarious deserve to die, wash up on shores of lakes and rivers, eyeball-less, swollen.

What would we do without them? It's a fantasy to think murders might cease, like Cain and Abel in reverse; Mr. X laying down the knife, things returning to proper usage:

gloves to cold hands, pantyhose un-wrung from necks, duct tape back to patching rusted-out quarter panels; the last girl found fileted

we'd wreath in roses, the revered patron saint of our evolution. But who are we kidding? It's fun to watch naked women run in terror, hair streaming, boobs alternately

defying gravity. It's like a fire in the groin - the urge to chase, grab, hold down, shhhhhhhh, make still, almost seems natural.

For Kim Addonizio



A Porn Shop in Florida


What thoughts I have of you tonight, Ted Bundy, as I walk the narrow asphalt of this Florida road, trees hung with moss, past Mrs. Fleming's small bathtubs of staked tomatoes, ripe red bulging in moonlight, into FasciNations neon

stocked with perpetually surprised plastic mouths, penetrable genitalia. Choose Nine bodies! Fourteen faces! Three different pubic hair styles! These teddy bears with benefits for the lonely man, the deformed, ostracized – and you, John Wayne Gacy, what are you doing

near the 'women'? I knew I'd find you Ted, poking among the dildos, eyeing the gaggle of sorority girls near the edible undies, their coral tipped toes, youthful lives amplified by the florescent worry of being seen in a place like this. I hear you, in your best Young Republican voice,

fake wedding band flashing, introduce yourself as a professor, doing research, a chore for your wife, asking questions: A party? On campus? I watch you fingering films of the tight, popped, wet, restrained; follow you down rows of brilliant titillation, ultraviolet erections, bondage

dice, deluxe breathable ball gags, bottles of Big Buddy's Anal Desensitizer. What are you looking for Ted? Inspiration? An excuse? This place is 24/7 and you've been here before, never passing the cashier, never really paying. Stepping over our bodies,

shining your shoes, what America did you create? Your shadow vitiating darkness, I've seen what you can do. Lights on in all the houses, windows latched against cool night blooms, I wade weeds toward home, dare the shortcut, wondering what you've left us to discover.

after Ginsberg