Cliterature
 
Angela Felsted is a musician, poet, and nature lover. Her work has appeared at TheChristianPoet.org, in church newsletters, and on her website. She lives with her husband and four children in Northern Virginia.

Angela Felsted

Scarred

 

Six weeks after our first child came,

you took me into the bedroom

and we turned on the fan, locked the door.

You fumbled with the buttons on my shirt, scraped against

cracked, scabbed up nipples

that ached on swollen, milk-filled breasts.

And I began to shake: my sex, torn like tissue paper by the

bones of my son’s head, had been slashed and

stitched, sewn together like a patchwork quilt  

made of nerve endings, blood vessels,

skin that itched as it started to heal.

I trembled in fear and pain and love

while you fumbled with my buttons, your fingers eager

as a new groom’s, your organ hard and hot,

starved for my body, my stitched up, stretched out,

war torn body, quaking on the mattress, tight

as on my wedding day, when you tried to go slow,

when I paid for your love with virgin blood.



Secret Space

 

On my first exploration, I stole my

mother’s mirror, took off my pants, slid

down my underwear. The bathroom tile sent chills

up my back, and I squinted in the glass,

tilted my head sideways: only to see two

lips running north to south.

I wanted to look under, but couldn’t bring

myself to touch them, to touch me, the

center of me. What if it made me dirty?

 

On my second exploration, I held a

tampon between my fingers, lifted a leg to the

edge of the tub, felt my hand shake as I

read and reread the back of the box.

Tears sprang to my eyes when I

pushed the cardboard upward; warm

blood trickled onto my fingers, and my body spit the

“object” out, calling it foreign, painful,

profane. My college roommates laughed.

 

On my third exploration, I lay on paper, feet

braced on two oven-mitted stirrups while I counted

clean white tiles on the ceiling,

each one whole, unbroken, unafraid.

The doctor told me to relax, and

I envied those tiles.

Pain shot out to my hips, turned

my bones to chalk; my fingers gripped the

table. She sent me to an obstetrician.

 

“What’s a loop?” I asked him as he showed

me my secret parts in a mirror, talked of how I should

touch the opening, know my body, know

myself. My hymen, foreign as the

English channel, formed an impassible bridge between

two countries.  A map of my pain, one I could

have read years ago had I the courage to

look and touch, the courage to explore unashamed.